Yes with the bass.
As you can probably tell by now I like music but I'm not a connoisseur. I'll listen to absolutely anything at least once and if I like it I like it. Most times, the lyrics are the deciding factor for me so it stands to reason that I'm not too keen on genre's like Classical or Jazz, though through osmosis I have listened to and liked a few jazz songs (thanks Big V and KK). Which is why I was open to a friend's suggestion that we go to Ronnie Scotts last night...it's a jazz club in Soho.
That is where I fell in love...with the bass...or as he is known to me now, Mr Bass. That deep throbbing sound that you feel more than hear beneath the music, very smooth, very steady, very understated. I think in music we are so focused on the guitar, the piano, the drums, we tend to ignore Mr Bass, oh we hear him but we don't really pay attention to him. Like my Nigerian people will say, we are focused on the effizy (the glitter, the sparkle) we ignore the heart. And that's what I feel Mr Bass is, the heart of the music, the foundation. He's not worried about being ignored, he's secure in his importance in the music, he knows he's the pulse, he's the base for the others, he's pulling them together. I think we also tend to ignore him because when we do hear him, he sounds like he's saying the same thing over and over again but the thing is, if we paid attention to him, we'd realise that he does this for our pleasure and to aid his fellow instruments and that every once in a while he has the ability to go off track and surprise us.
Mr Bass has given me a new appreciation for music, a new way to listen to music. Though I am discovering, in the short few hours since last night, that he sounds a bit different when he is electric. I think for now I prefer him as the double bass and especially in Jazz music. And as what I feel for him is deep, the everlasting kind of love, it seems my education in Jazz music has begun.
Here are two clips that highlight my new friend. The first is an instrumental of Cry Me a River (I like the Julie London version if you want to hear a non-instrumental version), the piano is fantastic I know but you can hear Ray Brown on the bass and he is good...
The next clip is Curtis Mayfield's Pusherman, now I'm not generally a fan of Funk but I have always liked this song because it just makes me want to get up and move. Listening to it again, I realised part of the reason I'm compelled to move is Mr Bass, he's there right from the start of the song...enjoy.